The Company

“Our work re-frames the cultural specificity of Bharatanatyam, bringing the eloquence of the form to universal themes in order to move beyond the personal and spark a global conversation. It is this focus that allows our work to transcend barriers of culture, ethnicity, nationality and geography and speak to a broad audience.

With each project, we aim to find a new way to answer the question of what it means to be a 21st century American choreographer working within a classical, Indian tradition. In an era in which innovation is so often seen as a rejection of the past, we are committed to the philosophy that it is vital to retain roots in our collective history while reaching into the future.” —Ranee Ramaswamy and Aparna Ramaswamy, co-Artistic Directors

Acclaimed as one of the Diaspora’s leading Bharatanatyam ensembles, Ragamala Dance seamlessly carries this South Indian classical dance form into the 21st  century.    

Artistic Directors Ranee Ramaswamy and Aparna Ramaswamy see Bharatanatyam as a multi-­dimensional art form—a  dynamic, poetic language with which to convey their contemporary ideas. While deeply respectful of the classical  tradition, their vision and approach have inspired numerous collaborative partnerships with international composers,     choreographers, poets, playwrights, and artists.    

Ragamala features soloist Aparna Ramaswamy, described as “both iconic and explosive…infusing the formal rigor of Bharatanatyam with fluid spontaneity and rock star allure.” (Dance Magazine, “25 to watch in 2010”) and “an enchantingly beautiful dancer” (The  New  York  Times).    

The company has toured throughout the United States and abroad to such venues as the Kennedy Center (Washington  D.C.), New Jersey Performing Arts Center (Newark, NJ), Krannert Center (Urbana, IL), CalTech’s Beckman Theater  (Los Angeles, CA), Van Wezel Performing Arts Hall (Sarasota, FL), Walker Art Center (Minneapolis, MN), Lied Center (Lawrence, KS), Bali Arts Festival (Bali, Indonesia), Festival of Spirituality and Peace (Edinburgh, U.K.), and Soorya Music and Dance Festival (Kerala, India).

Ragamala’s work is made possible in part with funds provided by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Dike Charitable Foundation and additional funding from the Andrew W. Mellon Foundation and the Boeing Company Charitable Trust, the Japan Foundation through the Performing Arts Japan Program, the American Composers’ Forum “Music in Motion” program, Meet the Composer’s Commissioning Music/USA, a Joyce Award from the Joyce Foundation, the MidAtlantic Arts Foundation through USArtists International, Target, the General Mills Foundation, the Travelers’ Foundation, the Fredrikson & Byron Foundation, the RBC Foundation USA, The McKnight Foundation, COMPAS/United Arts, the Asian Pacific Endowment of The Saint Paul Foundation, the Winston R. and Maxine K. Wallin Fund of the Saint Paul Foundation, the Dale Schatzlein and Emily Maltz Fund of The Minneapolis Foundation, the National Endowment for the Arts, the Minnesota State Arts Board through an appropriation from the Minnesota State Legislature and a grant from the National Endowment for the Arts, and the Minnesota Arts and Cultural Heritage Fund as appropriated by the Minnesota State Legislature with money from the vote of the people of Minnesota on November 4, 2008
Ragamala also acknowledges the generous support of our “Rasika Circle,” including Prakash and Usha Asirvatham, Dr. Robert and Katherine Goodale, David McKay, Wallace and Margaret McKay, and Anonymous; our “Board of Directors Institutional Growth Fund,” including Briar Andresen, Nithya Balakrishnan, Anju Kataria, Sharon Lim, Godan Nambudiripad, Shanti Shah and Stefan Peterson, Jayashree Ramanujan, Neil Robinson, Elizabeth Spohn, Noel Stave, Irene Suddard, Judith Tennebaum, Chinthu Udayarajan, and Sunitha Varadhan; and Friends of Ragamala.